The Old Course

I’ve been watching the British Open golf championship this weekend. This is a special year, as it is the 150th Open Championship, having been held 149 previous times since the first tournament in 1860 (it has been interrupted by two world wars and Covid). This year, the tournament is being held at The Royal and Ancient Golf Club in St. Andrews, Scotland. Also known as the “Old Course,”  the course is wedged between the town of St. Andrews and the North Sea on Scotland’s east coast, and is acknowledged by many to be the official birthplace of this ancient game.

The game of golf dates back 800 years, to the 1200s. It started with shepherds (“sheep herders,” get it?) who were bored while watching their flocks graze along the flat, treeless, coastal lowlands of Scotland. Using their crooks as clubs, they entertained themselves by hitting rocks into rabbit holes. From there, the game evolved. They carved rounded balls out of wood, dug holes in the ground, and shoved sticks in the holes to mark them. The first recorded reference to the game came in 1457, when Scottish King James II officially banned the game. It seems he worried that his soldiers spent more time on the links than in practicing archery. In St. Andrews, golfers shared the links with grazing sheep, cows, and goats, fishermen drying their nets on the thorny plants called whin or gorse, women bleaching cloth, children playing in the low hills, and soldiers shooting longbows at targets. The Old Course was eventually shortened from 22 to 18 holes, and that number became the standard size of a golf course. In 1754, a group of local gentlemen formed the Society of St. Andrews golfers and established the first 13 rules for the game. From that point on, golf was regarded as a rich man’s game, as working people could not take time off to play, and it cost a week’s worth of hard labor (6 days) to afford a single golf ball stuffed with goose feathers.

Old Tom Morris, one of the early groundskeepers of the course, had a great deal to do with the present layout. Morris was one of the first golfers to make his living from the game. He won the Open Championship in 1861, ’62, ’64, and ’67, and his son, Tommy, or Young Tom, also won the title of “Champion Golfer of the year” four times. Purses were small in those days, however, with the winner taking home just a couple of pounds (usually about $25) for their efforts. The real money came from betting on yourself to win and playing head-to-head matches against other top players. To provide a more consistent form of income, Old Tom made clubs and golf balls, caddied, and did the work of maintaining the Old Course. That maintenance was in the form of physical labor that he performed by himself with little assistance.

He generally left the fairways as they were naturally. That’s why Scottish courses look so strange to Americans more accustomed to carefully manicured, table-top fairways of bright green grass. Each St. Andrews’ fairway is marked by hundreds of small hillocks and brownish-green grass that has to be hardy enough to grow on sand beaches and withstand the harsh Scottish weather. A ball hit in the middle of the fairway might roll straight, but it could just as easily kick left or right and wind up resting in the waist-high gorse bushes with no chance to reach the green in regulation. Sand traps were also established in places selected by nature, not a course designer. Most traps were places where sheep or other livestock burrowed into the soft turf next to higher ground to wait out the cold, driving rain during storms. They chewed on the thin grass until a sandy hole emerged. Old Tom used those holes as sand traps, although later groundskeepers added fresh sand and sod walls to make them even more formidable. He moved tee boxes and greens, created new holes, and reshaped the course to a significant degree. Finally, Tom put a great deal of labor into the greens, carrying dirt from one place and putting it in another in a wheelbarrow, leveling it, and experimenting with different seeds until he found the right mixture. All of this was done by hand and most of it by one man. While building a new green for the finishing eighteenth hole, Tom found a mass grave where cholera victims had been buried during an outbreak in 1832. He simply mounded dirt over the grave and went on with his work. The result of these Herculean efforts is a course that, while not as beautiful as the more modern links, has a unique quality laced with history and romance.

Mary Stuart, better known to history as Mary Queen of Scots, became Queen of Scotland in 1542, at the ripe old age of 9 months. Later, as an avid golfer, she made an important contribution to golf when she began calling the lads who carried her clubs around the course “cadets.” This term was eventually shortened to “caddy,” and their job was made easier in the 1800s when they began using archery quivers as cases to carry the clubs and extra balls. (I was actually a caddy when I was 11 and 12 years old. I weighed about 80 pounds, and I swear some of the bags I carried weighed nearly that much. But, on a good day, when I managed to get a round with a golfer in the morning and another in the afternoon, I could take home over 3 dollars, including tips, for being at the course for 12 hours. I was a shrewd businessman even then.) It was said that Mary was playing a round of golf while her husband was being murdered, giving her a solid alibi. And her cadets may have been handy for finding lost golf balls while on the course, but they could not help her when she lost her head while plotting to overthrow her cousin, Elizabeth, as Queen of England.

Some of my favorite caddy stories took place in Scotland, where caddies are often older adults. These guys have been reputed to take a drink on occasion, and have been known to put down a bet or two based on the information they gathered while following golfers around the links. In the 1860s, club members at a Scottish club hosted a tournament for caddies, putting up a turkey for 1st place, and a bottle of whiskey for 2nd. It was a strange finish as one golfer after another purposely mishit their ball in an attempt to lose the lead and take home the 2nd-place prize. Caddies are an invaluable resource to golfers who are new to a particular course and need information that might help them improve their score. At Carnoustie, a wee bit north of St. Andrews on the eastern coast, a player once asked his caddy what to expect from the weather. The caddy gestured toward the sea and said. “There’s a rocky island a half-mile off shore. If you canno’ see the rock, it’s raining. If you ken see the rock, it’s aboot to rain.” Gary Player tells the story of his introduction to St. Andrews as a 21-year-old in his first Open Championship. He was assigned a grizzled old caddy who knew the course like the back of his hand. The inexperienced Player was understandably nervous as he teed off on the legendary course. His first shot was a terrible hook that landed well out of bounds. Embarrassed, he teed up again and sliced a ball out of bounds the other way. The unimpressed caddy watched closely, a cigarette dangling from his lower lip. Player finally landed one safely in the fairway and began walking toward it. The caddy walked up next to him and asked, “Where are you from?” Gary said, “South Africa.” The caddy said, “What‘re you doing here, then?” Gary replied. “I’m here to play in the Open Championship. I’m a professional golfer.” The caddy shook his head and said, “Well, you moost be a helluva putter.” Over time, caddies have developed their own folklore and stories. My favorite is about two golfers who teed off together back in the 1800s. One of them had a heart attack and died halfway through the round. The other man threw the dead body over his shoulder and made his way back to the clubhouse, where a gentleman member said, “That’s a fine Christian thing you’ve done.” The golfer said, “Aye, the worst part was lyin’ ‘im down and pickin’ ‘im up again between shots.”

A few years ago, Kathleen and I took a tour of Scotland, and our bus stopped in the medieval town of St. Andrews. The Old Course is right in the center of the town surrounded by homes and businesses, the golfing equivalent of Wrigley Field or Fenway Park. Each member of our tour was given a bucket of balls to hit on the driving range so that they could return home and brag that they had “played” at the birthplace of the game of golf. Most of our group was elderly, so they thought I was some sort of wizard because I could hit the ball 50 yards in the air.

Still, standing there and looking at the course, I could feel the history of the place and my imagination conjured up images of Old Tom Morris, pipe in his mouth, leaning into the wind and hitting an approach shot to the green he built on top of a mass grave. I nodded to the apparition, and Old Tom tipped his Tam O’ Shanter in response.

Summer Blockbusters

During this Fourth of July weekend, from Friday (July 1st) through Sunday (July 3rd), the latest installment of the Despicable Me franchise, Minions 2: The Rise of Gru set the all-time record for box-office receipts on the first weekend of its release. This fact might have escaped you, but for us, the release date of July 1st for this summer blockbuster was unavoidable. You see, our 9-year-old grandson reminded us of that impending date every time we saw him. He saw the film on opening day with his parents and sister, but has let us know emphatically that he would be willing to see it again. Kathleen and I don’t mind taking him to see it again either, because we also find the Minions movies to be hilarious. Then there is the added pleasure of hearing Lucas’s uninhibited, infectious giggles echo through the theater during every scene. Finally, at the Falls Theater here in town, it’s only $5 a ticket, and popcorn is only $2.

The other thing that crossed my mind on Monday was the question: Is there an iconic 4th of July movie? Everyone has a favorite Christmas movie or two, but how about one for the 4th? Mine would undoubtedly be Yankee Doodle Dandy, and I watched it again from beginning to end on the 4th. At a time when the American flag is seen in news footage being wielded as a weapon against police officers in Washington and used as a symbol for hatred by Trump supporters, it’s nice to be reminded that the flag was, until recent years, a symbol of hope and democracy around the world. The patriotic theme and stirring music of YDD were perfect for the US during that first year of WWII (1942), and it always inspires me. While watching it, though, I began to wonder about other films that would fit the holiday. Several movies are aired on TV that day every year, so some programming directors must have decided they fit the holiday theme. One is 1776, a musical about the Founding Fathers and the Declaration of Independence. Some people really like that one, but I find the songs to be abysmal and the whole thing painful to watch. (If you like that sort of thing, the recent musical Hamilton is light years better.) Another film that shows up every year on the 4th is Independence Day, a sci-fi shoot-em-up that takes place on July 4th. If you like special effects and invading aliens, it might be the film for you. But the plot is thin as paper and the characters are cardboard cliches. It finally occurred to me that the 1975 thriller, Jaws, might also fit the bill, because all of the action takes place around the July 4th holiday.

Jaws was the first “blockbuster” film and its producers created the business model that has dominated the film industry since it first appeared. The novel of the same name had already been read by millions of people, so anticipation was high for the film version. But myriad problems beset the production, delayed the filming and caused the budget to double. Director Steven Spielberg, a young and unproven filmmaker, insisted on filming on the ocean, rather than in a back lot in Hollywood. A number of screenwriters worked on the script, but Spielberg found himself rewriting scenes every night before they were filmed, leaving the actors to wonder what they would be saying on film that day. Then the mechanical shark, in many ways the star of the film, failed repeatedly to work properly. That caused Spielberg to treat the Great White shark as primarily an implied menace, rather than an on-screen presence as he had planned.

The studio saturated the air-waves and other forms of advertising for months ahead of the film’s late-June release. Then, the film premiered on hundreds of screens across the nation, rather than a few select screens as had previously been done. The result was that the film broke all existing box-office records and created the marketing strategy that has been used in countless summer blockbusters since then, from Star Wars in 1977 to Minions 2 this week.

The story itself is a familiar one to those who have read Moby Dick. In the 1851 Melville classic, Captain Ahab is obsessed with finding and killing the white whale who took his leg in an earlier encounter. It is told from the point of view of a crew member who introduces himself in the novel’s famous first line: “Call me Ishmael.” In the final confrontation, the white whale gradually destroys the Pequod, Ahab’s ship, and drags the captain to the bottom of the ocean, leaving just one survivor, Ishmael, who rides an empty casket until he is rescued.

The film version of Jaws, which differs in many respects from Peter Benchley’s novel, owes much to Melville’s book. The story is told from the point of view of police chief Martin Brody, who has an aversion to water and a pronounced fear of drowning. When a Great White Shark terrorizes Brody’s beachside town of Amity and kills several people in the days leading to the July 4th holiday, the mayor refuses to close the beaches. He becomes the symbol of unrestrained corporate greed, because he puts business and profits ahead of the safety of beachgoers. More people die on the 4th, leading Brody to rely on a marine biologist (Matt Hooper) and a professional shark hunter named Quint to fight the beast. Quint, like Ahab, is obsessed with sea creatures, having been stranded in the water surrounded by sharks during World War II and watching one after another of his shipmates being eaten by the voracious predators. The last half of the film shows the battle between these three men and the massive White Shark. They each bring a different approach to the conflict. Quint is the old-school fisherman, using a lifetime of experience and the type of weapons used by Ishmael and the crew in Moby Dick. Hooper is the scientist, using modern methods and technology. And Brody is “everyman,” seemingly the one who brings no skills to the table, but the man who ends up winning by using common sense and ingenuity. As in Melville’s story, the shark drags them out to sea before systematically destroying Quint’s ship, the Orca. (His boat is named for the killer whale, the only natural predator of the shark). In the end, Brody kills the Great White, and (in the book) is the sole survivor, afloat on a piece of wreckage from the Orca. (In the film, Hooper also survives.)

The film launched Spielberg’s career and made him, along with George Lucas, the king of the summer blockbuster film. It also gave a huge boost to John Williams, who wrote the music for Jaws, and is best remembered for the iconic, two-note theme which appears whenever the shark has zeroed in on another victim. Often, we see the victim from the point of view of the shark while that music increases in intensity, a technique that rachets up the suspense and has been copied by nearly every slasher film made after 1975. Williams went on to write the score for countless film franchises such as Star Wars, Indiana Jones, Home Alone, Jurassic Park, and Harry Potter.

Moby Dick might be the most analyzed novel ever written, with layer upon layer of symbolism confounding literary scholars for 171 years. Jaws has also had its share of analysis. One writer thought the film, coming just a year after Nixon’s resignation, represented a sort of national catharsis, “a communal exorcism, a ceremony for the restoration of ideological confidence” following the national cynicism that followed Watergate. I don’t know about any of that. The truth is, that for me, both the book and film make for rousing good tales, and I prefer to leave it at that. Next year, I think I’ll have a double feature, watching Yankee Doodle Dandy for the 7, 212th time, then enjoying Jaws. I’ll sip on some root beer, and eat a couple of hot dogs, too. Heck, I might wash it all down with a slice of apple pie.